Nicest tries on your first ever gesture drawing Imgur post, itzhoyt. Very, very, very, very, VERY great job showing a range of movement on the bolder to even the subtle poses.
So, two answer your questions, I'd suggest: 1) Start off with a interactive drawing tutorial here on our site. 2) For the new beginners, I'd recommend the 30 minute class mode. And number 3, Go for the inherent gestures in the anything in life, including the moving and emotional poses.
Three reasons: 1) To get you best acquainted with the fundamentals of quick sketches. 2) To get you the best taste of the drawing classes.(even if you don't get into the live classes very often. 3) To be the most honest in your drawing execises and quick sketching skills.
Good luck, and I hope this totally appliest to you and your new, first goal.
Gorgeous work on your 30 minute class mode, Jon_draws1242. Great work on your forces and forms, and your details, as good looking as they were, you're getting there. Don't be too rough on yourself, you're getting a little bit better every day, if only you'd do it or try doing the job. Great use of perspective, weight, construction and motion in your forms and forces and details.
My tinier, smaller suggestion is that I love your 5 and 10 minute studies, but I'm not so certain on how your forms and details move and emote to the forces. Would you pleace like to loosen up your wrist, elbow and shoulder with a 10 minute pose, followed by a 5 minute attitude drawing?
The reason why you could and should do this tiniest, smallest suggestion is because, your forms and details will be able to shed away some of the rigidity, and push for all of the dynamism, fluidity, liveliness and energy and gutsiness.
Just so you'd know:
Practice makes myelin, and myelin makes perfect.
-Daniel Coyle.
For more inspiration, be sure to look at this video:
Greatest job on your contrasts of colors and temperatures of the colors, zxding. Way to go, zxding!
If you want my answer to that question, it could be to find this image on your computer's hard drive, then duplicate, and later put on a black-and-white fliter in order to judge the tones or values just a little bit better.
The reason is because, it can help you ace your understanding of the lights, shadows, and the gestalt. And if you really need to learn more info. Look this video up>
https://
This video can help you.
Cheers to you, and most of all, cheers to your current and future goals.
Kdimitrov, I really must say that you're really onto something in terms of your movement of your rough but cleaner figure drawings. What I really admire is that how much movement you've got into the anatomy and gesture in complete detail. Great job on most all of them.
What I must say that though your 3 minute poses are most natural than your 5 minute poses, all the while, I'm totally not getting enough of the distortion and exaggeration of movement and emotion. Would you please loosen up and draw larger, lightest, largest, and most importantly, liveliest, with 30 minutes of 2 minute attitudes? (15 poses, in our custom class option) Extra option: Go to YouTube and look at any Chaplain or Keaton film frame-by-frame with the , and . keys.
The reason why you could do this idea is because, it can help you get into the animator's mindset in the motion and performance and action, while focusing on the plastic forces, and more importantly, to make your sketches the least stiffest, and the most solidest, most fluidest and liveliest.
Well, your female figure is amazingly incredible display of drafting skill, MorganWant. That's your very awesome job on your overall proportioins and angles and details.
So, if I could suggest you a littler suggestion, I must say that though the action and acting is really getting closer there into the gesture drawing, but.....I'm not getting enough of the fluidity and life in the spaces, lines, and relationships. Would you kindly free up your hands with yet another 30 minute class mode?
The reason why you could, would and should do this critique is because, if your current and/or goal is to make your figures do something and feel like they're totally moving, then I could encourage you to do it.
Good luck to you and your current goal. And furthermore, check out Drawabox.com and Youtube's Proko robobean video.
Say, you're really know where you're going with your edges, your spaces, your relationships, your lights and shadows, and more importantly, your gestalt, Dumplings. Way to go on your incredible and awesome observation of human bone and muscle anatomy.
My tinest and littlest criticism is that there is not enough of the cartooning and exaggeration of the gestures, bones and muscles where they should be in those things. Would you please theraputically loosen up your dominant hand with 10 minutes of 30 second poses of the general and specific figures? (20 attitudes)
The reason why you could and would do this critique is as a result, your basic human anatomy will become the least blandest, and the most dynamic, satirical and spontaneous as you would possibly play with in terms of human acting and emotions.
Good luck and my hat's off to you. Have lots of fun.
Hey, I just selected the link, then copied the link and later, pasted it on the address bar. The image is a blank box, and the link is totally unclickable. Please fix it up.
Well, well, well, well, WELL, AuslerDraws, I'm been thinking all too much about your drawings (sorry if I'm exaggerating). They have a greater sequential range of motion, action and movement for your ninja character or personality.
My futher recommendation is that though your rough poses are great at capturing your animator's line, Sakuga line, that is, but I really need to get more and more of the boldest and dynamic line of action in your poses. Would you kindly be able to go for 15 minutes of 30 second attitudes? (900 seconds/30 second pose=30 poses) And while you're at it, kindly find a reel of some of your favorite Sakuga animators on YouTube.
The reason why you could and would and should do this is because, anybody and anything moves. Also, to make your lines the lightest, fastest, funniest, and liveliest lines of balance and rhythm. Trust me, this'll get to be a lot better with time.
Way to go, JianPhoenix, so far so good! Excellent job on your gestures, lines and spaces, thus far.
My criticism for you would be that though your anatomy is far more recognisable in your 5 and 10 minute attitudes, in terms of the "scalloped pail" for your ribcage, yet I'm not getting enough of the freedom of flexiblity and TLC (tender loving care) in the overall anatomy study. Would you kindly please check out the human proporiton guide illustrations in the Andrew Loomis books; for example, Figure Drawing for All Its Worth & Successful Drawing, in PDF and book form online?
The reason why you would and should do this thing is as a result, you'll improve your relationships of the human bodies with time. Though your first attempts would be a bit too stiff and blander, you'd constantly improve over time.
Way to go, JianPhoenix, so far so good! Excellent job on your gestures, lines and spaces, thus far.
My criticism for you would be that though your anatomy is far more recognisable in your 5 and 10 minute attitudes, in terms of the "scalloped pail" for your ribcage, yet I'm not getting enough of the freedom of flexiblity and TLC (tender loving care) in the overall anatomy study. Would you kindly please check out the human proporiton guide illustrations in the Andrew Loomis books; for example, Figure Drawing for All Its Worth & Successful Drawing, in PDF and book form online?
The reason why you would and should do this thing is as a result, you'll improve your relationships of the human bodies with time. Though your first attempts would be a bit too stiff and blander, you'd constantly improve over time.
Well, helloeveryone, that is sure a mighty admirable job on the repetition of drawing that same pose over and over again. Greatest job indeed.
So, if I was to totally and positively suggest a critique or two, I could, would and should imply that though the gesture is really, really, really budding in that pose, but I'm not getting enough of that looser and most gestural quality and feeling with that anatomy. Would you please be able to loosen up your dominant hand with 10 minutes of 30 second mood poses? (20 personality sketches)
The reason why you could and should do this critique is because to make your lines of action, of balance, and of rhythm the most strongest, the most dynamic, the most energetic, the most fluidest, and the most lively. For more details, be sure to look up "Animation Meat Walt Stanchfield," or get yourself a sample of the Kindles of the two Drawn to Life.
Good luck to your current goals, and your goals to come.
Great work on your basic, graphic lines and shapes of your animal sketches, msImpossibility. Very good job on, especially your 30 second gestures of your critters.
I've got one smallest suggestion: I love how much gestures you've got going on there, but I'm not seeing enough of the negative spaces, forms and proportions here in any animal, doesn't matter which one. Would you kindly be able to pick any animal that you need to work on, and later do a quick but long 10 minute beast study??????
The reason why you should need to do the 10 minute drawing is because, it can and will be fairly useful into getting better with your animal forms, proportions, gestures, spaces and anatomy.
Polyvios Animations
edited this post on October 19, 2021 2:19am.
